Tag Archives: 1981

Show report: Camp Friends and Omni at the Terrace

Beautiful weather last night so I decided, why not, go to the Terrace for the free show WUD put on:  Camp Friends (Madison) and Omni (Atlanta).

Missed most of Camp Friends, who were billed as experimental but in fact played genial, not-real-tight college indie.  Singer took his shirt off.

Omni, though — this is the real thing.  Everyone says it sounds like 1981 (specifically:  1981), and they’re right, but it rather wonderfully doesn’t sound like any particular thing in 1981.  There’s the herky-jerky-shoutiness and clipped chords (but on some songs that sounds like Devo and on others like Joe Jackson) and the jazz chords high on the neck (the Fall?  The Police?) and weird little technical guitar runs that sound like Genesis learning to play new wave guitar on Abacab and arpeggios that sound like Peter Buck learning to play guitar in the first place (these guys are from Georgia, after all.)  What I kind of love about young people is this.  To me, all these sounds are separate styles; to a kid picking up these records now, they’re just 1981, they’re all material to work from, you can put them together and something kind of great comes out of it.

You see a lot of bands with a frontman but not that many which, like Omni, have a frontman and a backman.  Philip Frobos sings and plays bass and mugs and talks to the audience.  Frankie Broyles, the guitar player, is a slight guy who looks like a librarian and stands still and almost expressionless while he plays his tight little runs.  Then, every once in a while, he unleashes an absolute storm of noise.  But still doesn’t grimace, still doesn’t move!  Amazing.  Penn and Teller is the only analogue I can think of.

Omni plays “Jungle Jenny,” live in Atlanta:

And here’s “Wire,” to give a sense of their more-dance-less-rock side:

 

Both songs are on Omni’s debut album, Deluxe, listenable at Bandcamp.

Best show I’ve seen at the Terrace in a long time.  Good job, WUD.

 

 

 

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You can now download “Feet”

A few weeks ago I mentioned, with appropriate reverence, the massive 1981 box set compiled by the musical encyclopedist known as Soundslike. Now Soundslike’s new .mp3 blog, Musicophilia, is up and running; and among the many interesting things available is the “feet” disc from the 1981 set. Here’s his description:

From the ‘1981′ box set, the ‘Feet’ compilation is a rhythm-oriented collection that makes a nice introduction to the set and to the period. Featuring some well-known heavyweights of the post-punk milieu–Gang of Four, Kraftwerk, OMD, Public Image Ltd.–it’s one of the more immediately accessible discs from the box. But it also has a features a few artists who get less general recognition, like Dome (post-Wire); Family Fodder (possibly the anti-Joy Division for me, in terms of more accurately capturing wildly expansive ethos of post-punk); Massacre (Fred Frith’s most bracing, prog-less stab); Dif Juz (post-rock what?); Trio (great band, misfiled as novelty one-hitters); British Electronic Foundation and Heaven 17 (post-Human League); and Goat that Went Om (courtesy of Phil at No Night Sweats, I gather they only recorded this one track).

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