This song, by Damily, is amazing:
This is tsapiky, a currently dominant style in popular music of southern Madagascar. There isn’t much tsapiky on Spotify, but what there is is pretty good. (None of it equals “Very Aomby,” though.)
This song, by Damily, is amazing:
This is tsapiky, a currently dominant style in popular music of southern Madagascar. There isn’t much tsapiky on Spotify, but what there is is pretty good. (None of it equals “Very Aomby,” though.)
The two greatest opening chords in rock, explained:
Ben Sisario writes about the “Here Comes Your Man” chord in his 33 1/3 book on Doolittle:
The opening chord, originally just an open D, became a jagged open-string thrum that instantly conjures the Beatles’ “A Hard Day’s Night.” (Thompson continued to play a straight D major, but the secret ingredient is Santiago’s beloved “Hendrix chord,” here a D7 sharp-9; a loose open E also rumbles faintly underneath.)
The book is great, by the way — heavy on extensive interviews with Black Francis (aka Frank Black, aka Charles Thompson) and light on the rock-critic bloviating. I learned a lot about a record I thought I already knew a lot about.