Tag Archives: magick heads

New Zealand rock named after group-theoretic entities

Douglas‘s label Dark Beloved Cloud put out a great record by the Magick Heads called Transvection. You and I think a transvection is a unipotent element of the symplectic group, but it turns out it also means — well, let Douglas explain it:

DBC222 The Magick Heads’ Transvection CD

“Transvection” is the act of riding through the air on a stick or a broom, and The Magick Heads’ glorious ride spanned almost a decade. Natives of Dunedin, New Zealand, driven by the songwriting prowess of Robert Scott (of the Bats and the Clean) and the throbbingly gorgeous singing of Jane Sinnott, they released two exquisite albums on Flying Nun and a couple of EPs. Before they called it a day, they assembled this collection of levitational performances from their entire career: studio recordings, live tracks, radio sessions and 4-track demos–13 never-heard songs and three radically different versions of Magick Heads classics. Delicious he sang/she sang harmonies, the savory friction of acoustic guitars against electrics, backing by members of the 3Ds–it’s all here, and it’s all exquisite. $10 ppd.

The record is just as great as Douglas says. It reminds me a little of an amazing old Boston band, Prickly; Collin Oberndorf’s clear, high, hollow-sounding vocals cut through the haphazardly layered guitar on that record much as Sinnott’s does here. Here’s the Magick Heads, “Standing on the Edge,” courtesy of Flowering Toilet:

“Standing on the Edge,” the Magick Heads

I have “The Lonely Passion of Joey Heatherton,” Prickly’s finest song, only on cassette — but Shumai, featuring some of the same personnel, does an almost-as-good version:

“The Lonely Passion of Joey Heatherton,” Shumai

Back to New Zealand: if I could post my own .mp3s on the blog, I’d put up Prickly’s great cover of “Death and the Maiden,” by NZ’s Verlaines. And the Magick Heads, via Robert Scott, are related to the Clean, whose song “Odditty” is the greatest pop monument New Zealand ever produced. Tom would probably accord that honor to “Not Given Lightly”:

At the very least, this song is tied with “Stand” and “Chinese Bones” for best use of the open E (and is the uncontested champion in the “not played by Peter Buck” division)

More group theory: the Pin group is not just a double cover of the orthogonal group, but an early NZ post-punk outfit. The Pin Group was that rare thing, a band that sounds a lot like Joy Division without being second-rate parody. Here’s their 1981 single “Ambivalence,” (via The Walrus):

“Ambivalence,” The Pin Group

I have this single in my collection only because it’s part of The Greatest Mix Ever Made, which is to say the 13-disc, 411-song box set “1981”, consisting entirely of songs released in that year. It’s one of my prize posessions, and I am eternally in awe of and debt to its compiler, the musical encyclopedist known as Soundslike. Who it turns out makes his own music, and it’s kind of great! Surprisingly easy-going and gentle, given the vast amount of aggressive post-punk he’s brought into my life. Here’s a standout track:

“Complicity”

If you liked that, his albums are all available for free download here.

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